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Twentieth Century British Drama

Twentieth Century British Drama
AUTHOR(S):
John Smart / Adrian Barlow
REGION:
Australia & New Zealand
LEVELS:
Year 11 / Year 12
SUBJECT AREA:
English
EDITION:
1ed
ISBN:
9780521795630
PUBLICATION DATE:
11/07/2001
Price:   AUD $16.95
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Two themes stand out as one examines 20th century British drama. The first is that the century witnessed a growing sense that the theatre was not an aristocratic pleasure ground, but a democratic forum for all. The second theme is the changing role of women. From the beginning of the century in the works of G.B. Shaw to the end of the century with its 'post-feminist' theatre, this theme has absorbed dramatists. This book aims to relate 20th century British drama to its historical, cultural and social contexts, not to imply that plays emerge naturally to mirror the society from which they spring, but rather that an understanding of context enhances the understanding and enjoyment of drama.

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Introduction

1. Approaching 20th century British drama
   The Edwardian Age
   The Edwardian theatre
   The new theatre - the influence of Ibsen and Shaw
   The growth of the new theatre
   The Great War and after
   Noel Coward
   The 1930s
   Workers' theatre
   The commercial theatre
   W.H. Auden and the Group Theatre
   T.S. Eliot and verse drama
   After the Second World War
   Terence Rattigan and post-war theatre
   Theatre after 1956 - the birth of the 'angry young man'
   Drama in the age of television
   Beckett and Brecht
   Pinter's early plays
   Arnold Wesker - the Roots trilogy
   1968
   Edward Bond
   David Edgar
   David Hare
   The 1970s and 1980s
   Women playwrights
   Caryl Churchill
   Pam Gems
   Women's voices
   Timberlake Wertenbaker
   Joe Orton
   Alan Ayckbourn
   Tom Stoppard
   Henceforward - the 1990s

2. Approaching the texts
   Text and performance
   Whose play is it?
   What kind of play is it?
   The language of the play
   Characterisation
   The plot's the thing
   Theatre movements

3. Play extracts
   Stanley Houghton from Hindle Wakes
   Harold Brighouse from Hobson's Choice
   John Osborne from Look Back in Anger
   Arnold Wesker from Roots
   Theatre Workshop from Oh, What a Lovely War!
   Harold Pinter from The Homecoming
   Edward Bond from Saved
   Harold Pinter from Landscape
   Tom Stoppard from The Real Inspector Hound
   Caryl Churchill from Top Girls
   Tom Stoppard from The Real Thing
   Timberlake Wertenbaker from Our Country's Good
   David Hare from Amy's View
   Martin Crimp from Attempts on her Life

4. Critical approaches to 20th century British drama
   Kinds of criticism
   Look Back in Anger and the critics
   Different critical viewpoints
   Three critics - Brecht
   Brook and Edgar

5. How to write about 20th century British drama
   Using criticism
   Writing about drama
   Developing a sense of dramatic genre
   Discussing context
   Comparative study

6. Resources
   Further reading
   Glossary
   Chronology

Index

Acknowledgements

Critical introductions to a range of literary topics and genres.

Offering critical introductions to a range of literary topics and genres, Cambridge Contexts in Literature supports comparative and contextual study and is ideal for library reference or for building a senior module around a selected title. Each volume has been carefully planned to help students evaluate the influence of literary, cultural and historical contexts on both writers and readers, and includes an anthology of texts and extracts exemplifying key issues.

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John Smart
Adrian Barlow
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